America, circa 1958, according to JK Galbraith:
The family which takes its mauve and cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, blighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?
The point he’s making is about a social imbalance caused by differences between private and public spending. In America, a society of affluence, where the production of comic books and pornography count as valuable economic output, the outlaying of money on roads, parks, policing, education, and other public services is considered nearly valueless and unpalatable.
America is still often considered a land of crumbling infrastructure, but compared to the America described above, some things have improved. The countryside is largely visible, our parks no longer a menace to morality, and the air has been mostly purged from the stench of decaying refuse.
Our private consumption has has also made progress over the decades, seeing as we’ve developed the good taste not to continue buying our autos in the colors of Wild Berry Skittles.